Others have pointed out that the all the tilesets are recolors of tilesets found in Celeste, and even the freaking hair mechanics are copied directly from Celeste. Apparently you didn't have the budget for animators, because the spring of your character's jump, and the little particles that are created when you land, are also a carbon copy. Very obviously, the climb/dash/jump mechanics are the exact same. The dust bunnies are an exact copy of those from chapter 3, except you scaled them down a bit. The dimensions of the grid in each room is the same. You didn't even try to make this look different. Joyspring careers how to#In general gamedev too, I think you should always play games that are close to yours to know how to innovate, what has already been made, and how to prevent looking like a copy. If you are not lying though (wich I highly doubt), then I strongly advise you to play Celeste or at least watch closely videos of it to realise how stupidly close most of your Joyspring's elements are to Celeste's, I'm talking "Celeste's creator could sue you" levels of look-alike. I would tell you that one of you team members might have ripped of elements without telling you, but with the sheer amount of stolen content and your other post saying it's inspired by Celeste, it's hard to think you aren't lying when saying you didn't play Celeste. Even other non art-effects look way too close to be coincidental (Madeline's wobble, her light, her fucking animations, how the blobs move, the falling platforms, etc.) And the more you look at it, the more it looks like the assets are directly stolen (ground texture, blob, the fucking Madeline sprite). There are more than 250 recorded versions of the song.I hadn't noticed until other redditors pointed it out, but they are right, sprites are just straigth up ripped from Celeste and color swapped. Brown’s promising career was unfortunately short-lived, he lost his life in a car accident at age 25.īrown’s legacy is remembered through a scholarship set up in his name by the Philadelphia Musicians Union and Clifford Brown Jazz Festival in Wilmington. In 1954 he joined Roach’s band and their collaboration is now legendary. While there, he met Fats Navarro and Max Roach, who were highly influential in his music career.īrown quickly became well-known among jazz musicians, not only for his musical talent but also for his warm personality. He later received a music scholarship for Maryland State College, where he learned to compose. He sat in with Dizzy Gillespie’s band when they played in his hometown.Īlthough Gillespie encouraged Brown to pursue touring instead of his education, Brown enrolled in Delaware State College to study math. Originally from Wilmington, Delaware, Brown played trumpet from a young age and performed with bands big and small. Jon Hendricks later wrote lyrics for the song and re-titled it “Sing Joy Spring.” This version was introduced as a vocal by the Manhattan Transfer. Tune in today as we celebrate Jazz Appreciation Month with some of this compositions most notable covers! Clifford “Brownie” Brown’s composition “Joy Spring” was first recorded on the West Coast in the summer of ’54 and included in a Pacific Jazz album aptly titled “Clifford Brown: Jazz Immortal!”
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